An essay on Milton's "Paradise Lost" stating that although the character of Satan follows some of Aristotle's definitions of a tragic hero, he is not.

In Miltons promised land Lost, he writes the story of the fall of daemon, his followers, and mankind. Many critics very much view Satan as the unlikely or sad friend of the epic poem. Satan is, obviously, the main character passim most of the poem, but not necessarily the hero. Satans main declare oneself is to fight G-d, and try to be on the same take as Him. The important thing is to realize that Satan is sin, and creation humans, who are all born into sin, we can easily preserve to a sinful character. G-d is holy and perfect. This is something which we, being fallible humans, cannot undertake to comprehend. Satan does, at the beginning, follow many of the attributes which coincide with Aristotles description of a tragic hero; however, after the first hardly a(prenominal) Books, Satan looses his status as a tragic hero rather rapidly. Along with this, Satans grandghts parallel the idea of Evil, be thou my good, (p76, line 110) which is the opposite of what G-d intends.

In order to attempt to discern if Satan is a tragic hero, his character must fit a certain profile. According to Aristotles theory, the tragic hero has the potential to be great, but is doomed to fail. The tragic hero, although fallen, still wins a incorrupt victory. The general characteristics follow that the tragic hero is a noble, is amenable for their fate, contains a tragic flaw, and is doomed to make a arduous error in judgment.



Eventually, the tragic hero falls from a high status, realizes the mistake that was made, faces and accepts their death, and finally ends in a tragic death. It is important to state that, in all tragic heroes, the earshot is affected by fear and/or pity. In Paradise Lost, the reader is easily able to...

It seems to be clear blanket(prenominal) essay. However, the inroduction seems to be very long and descriptive. Some of the information that is utter in the introduction should be in the body. On the other(a) hand, the writer presents the statements in a very understandable and spare way.

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