The Cavalier Poets
The term cavalier poets is white plagued to de none a group of poets closely associated with the court of Charles I. The best representatives are Robert Herrick, doubting Thomas Carew, and Richard Lovelace. (Andrew Marvell is sometimes associated with the cavaliers and sometimes with metaphysical poets).
They were also known as sons of Ben because they spent a lot of time with Ben Jonson, after whose verse they modeled their own. Another influence was John Donne, the father of metaphysical poetry. The common factors that bind the cavaliers and the metaphysical poets are the following:
- Â Â Â Â Â Â Â Â Their use of colloquial, conversational style,
- Â Â Â Â Â Â Â Â Cavaliers sometimes strived to imitate highly intellectual metaphysical conceits,
- Â Â Â Â Â Â Â Â Departure from Petrarchan influence: the lady is no longer an heading of desire to be admired from a far, but an substantial collocutor, to whom the verse is addressed as an argument usually onerous to induce them to exercise their sexuality (Had we but world enough, and time, this coyness, lady, were no crime, see Andrew Marvell, To His Coy Mistress; ).
Although their poetry was not that innovative and original, the cavaliers made one great contribution to the side poetry: they introduced the possibility of writing poems about the minor pleasures and troubles of life.
They hardened the subject in such a way as to impress us with a sense of ordinary periodic living. Cavalier poetry gives off their enjoyment of the casual; their poems front to be written by the way. They generally avoided the grave subjects of religion. They neer dabbled in explorations of the depths and intricacies the human soul. For them life was far as well enjoyable to be spending it in a study. The poem writing was no grueling task but a part of everyday living.
They were cavaliers not only...
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