Novels of Jane Austen

Each of these reinvigorateds centers around a country family for whom there is n e'er quite enough money. This wishing of substantial riches is an explicit element of Austen's novels, for a family's wealth had a direct impact on a youth muliebrity's ability to marry well (or even marry at on the upstanding). Austen satirizes the morals of her time, both suggesting that marriage is a commercial bid that may well not be worth it for the woman who became prestige goods to be exchanged among women and also suggesting at quantify that Austen does indeed seem to believe rather firmly in the idea that a woman should marry if at all possible (Ash and Higton, 1995, p. 14).

A Doubled Vision: Love and Friendship

By applying traditional literary criticism to this novel, we might well keep abreast to the conclusion that Austen is attempting to depict for us a world in which women define themselves in wrong of men, or in terms of the absence of men (and specifically the absence of a husband). However, a pagan critical approach that reads beyond the surface level of the text as well as considering the social and cultural context in which this novel (this text) was produced as well as in which it was consumed, or read.

By applying such a model, we s overlyl see that in this novel money does not cede nearly as much to do with intimacy as it does with marriage, and this is one of the reasons that the theme of companionship between and among women

Catherine's friendship with Eleanor Tilney is also central to the novel, and the fact that it too comes in the guise of familial ties is important in intellect Austen's use of friendship in the novel. Friendship is not meant to subvert marriage; that is Austen's official line and certainly a materialization of the time. And yet, it is also true that friendship does quite often annul marriage, and Austen's novels (as is true in life itself) argon full of women who atomic number 18 content to fill their time with female companionship. Some of these women ar spinsters by choice, some not, some still too new-fashioned to be spinsters, but all of them thrive on friendship.

Johnson, C. (1995). ambiguous beings: Politics, gender and sentimentality. Chicago: University of Chicago.

Friendship for Austen's characters is the glue of daily life, providing a world of interest, emotional support and busyness that is otherwise denied to those who are kept removed from public life. But while friendship is vital and important, it is not revolutionary. The circles of friendship in Northanger Abbey as in other Austen novels change the lives of the individuals they touch, while still leaving the whole of society intact. Austen, while never a Radcliffe, is not ever a George Meredith either.

Austen's novel follows the travails of Catherine Morland, who while visiting Bath with her friend the flighty if pleasant Mrs. Allen, falls in love with the tender clergyman Henry Tilney. Retiring to the ancestral Tilney home, Morland - who has herself read Radcliffe's novel - sees ghouls and nightmarish revulsions behind every door. However, the only true horror proves to be Henry's father, whom he ignores when he asks for Catherine's hand in marriage.

Although Austen was faithful about her writing, it is important to remember that her works were well stock from their publication onward. This was in part no doubt because they were so very different in style from the romanticism elevate by her contemporari
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