Within the cinematic genre of mutual exclusiveness, we sport get going accustomed to the splattering of blood and the evisceration of the human peter upon our ocular perceptions. Yet blood and guts have effect cliché in the modern horror film. We have become tolerant and desensitized to the fright and disgust that the horror film is intended to evoke, by its very natures, within our psyche.
As our collective visual thought evolves as a society and greater universe, the grotesque esthetics of the horror film must also grow. The insatiable optical aberration of the contemporary horror fan demands more from the arsenal of ostensibly finite biological slaughter and fright. We are no seven-day shocked by the visual presence of torture and death. We have seen such things ad nauseam. Nausea is exactly where fiend Valentine, the regurgitating progenitor of vomit gore, arrives into the open mouths of the horror genre.
Lucifer Valentine, the evil hierophant of Roman Showers and lubricating emetophilia, has invoked utter repulsion within the stomach of horror fans with his fringe classic Slaughtered Vomit Dolls. His films are of course non simply expressions of visual disgust through blood, gore, and bile. They have a much deeper and primal resonance.
One may say that the films of Lucifer Valentine are cinematic expressions of the unstable uncertain realities of Quantum mechanics.
Lucifer Valentine has returned unto empiric celluloid planes to unleash the second in his series of bloody bile erotica with the film ReGoregitated Sacrifice. The film continues the tragic aery demise of Angela Aberdeen, played with seducing psychological unraveling by Ameara Lavey.
ReGoregitated Sacrifice, like its predecessor, is a hallucinogenic non-linear journey between the life and death of Angela. It is a cinematic example of what the tortured soul may feature within the post mortem Bardo of the Buddhist as well as...If you want to get a full essay, order it on our website: Ordercustompaper.com
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